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The title explains my true self- a solitary reaper who likes to live in her own world. I think I should have a second man's eye to give a fine description about me. Well now Priya Manoj as a second man says that she is an individualistic person with the merge of simplicity. This blog is not only gonna be filled with my own experiences but something more than that. I always like to see a difference in everything, a diversified way of projecting things creates an identity. I just wanna be innovative. To be perky & precise, this blog will converse my vibrant thoughts and extravagant emotions.

Monday, August 3, 2009

The golden art of Cholamandala

Crafted with meticulous care the Tanjore pictures are unique. What sets them apart from Indian paintings in general are the embellishments made over the basic drawings with precious and semi-precious stones as well as the relief work which gives them a three dimensional effect.

Tanjore painting is an important form of classical South Indian painting native to the town of Tanjore in Tamil Nadu about 350 Km south of Chennai.

The art form dates back to the early 9th Century, a period dominated by the Chola rulers, who encouraged art and literature. The Chola empire was later was ruled by the Marathas in the 17th century. The Maratha rulers encouraged this art in Tanjore. In Mysore the art was patronized by Maharaja Mummadi Krishnarajendra Wodeyar. This form of art is unique.

The paintings are known for their elegance, rich colours, and attention to detail. No two paintings can be alike and no two artists can give the same effects on the work.

The themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu mythology because this art of painting flourished at a time when fine-looking and striking temples were being constructed by rulers of several dynasties.

The Tanjore School of paintings dates back to the 16th century. However, there are only a few paintings that date back that far. The fact remains that most of the paintings that exist today are not even a hundred years old.

The paintings are notable for their adornment in the form of semi-precious stones, pearls, glass pieces and gold. The rich vibrant colors, dashes of gold, semi-precious stones and fine artistic work are characteristics of these paintings. They add beauty and culture to a variety of surroundings and décor. The figures in these paintings are large and the faces are round and divine. The pictures are of various sizes, ranging from huge works spanning whole walls to small miniatures no longer than 6-inch square.

In modern times, these paintings have become a much sought after souvenir during festive occasions in South India.

Gurubaran Tanjore art gallery has more than 30 dedicated artists who make tanjore paintings. These artists are well experienced and very quality conscious. We source all the raw materials directly and hence maintain excellent quality control, says Parthiban, owner of this famous shop in Mylapore, Chennai.

Subjects drawn here are different postures of Hindu gods and goddesses like Krishna, Ganesha, Lakshmi, Vishnu, Hanuman and others. We also make non religious subjects like raja, rani and animals like horse, elephant, peacock and others, he adds.

Materials used in this sector are good at eminence, borer and heat resistant plywood is used. We use 22ct gold foils and first quality colour stones, says Ramaswamy a co-worker.

Framed Stone Idols are made out of an alloy of lead and tin. Plated with gold and studded with swaroski stones, the subjects are Lord Ganesha and Lord Balaji. They are framed to adorn the walls or can be kept in acrylic boxes.

The art has undergone quite a bit of change, not in the style of the painting, but in the use of raw material for preparing the board and the use of painting material as well as the use of synthetic material in place of precious stones.

The use of pure gold foil of 22/ 24 carat continues and the life of such paintings is long if done and preserved in a correct manner.

Seven Steps to the Art of Tanjore Painting:

1. Prepare the board to make the painting

2. Sketch the figure and fixing the stones

3. Fill around the stone work with a thin mix of gum and chalk powder. Inlay and relief work around the stone setting with a thicker mix

4. Clean the work and fixing the gold foil over the stones and relief work

5. Cut the gold foil to expose the stone work

6. Paint the figures and the background

7. Check for flaws, correct and fix the glass and frame.

While each of the steps appears to be easy and simple, a lot of care is needed at every step to ensure that the final product is flawless and superb.

1 comment:

  1. even am interested in painting.. but one need so much patience to draw or paint..!! :)

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